View attachment 24414
Slowly getting there. Board of OMGWTFNOISYBASTRD.
Looks simple, is not. Signal runs in series for a bit then forks, runs parallel and either joins back into one amp through an ABY switch or runs into two separate amps.
Here's what it does:
Bass goes into tuner, which goes into the compressor and then into the EBS TremoLo.
TremoLo has two outputs. One goes into the Microtubes B3K, the other into the Pitchfork
Pitchfork (which is in latch mode) goes into the AMT SS-11A tube guitar pre-amp.
Outputs of the B3K and SS-11A currently both go into an ABY switch which combines both signals and sends that into my bass amp. Another option is running the B3K output into a bass amp and the SS-11A output into a guitar amp.
On the SS-11A there's a clean channel and a crunch channel which can also be kicked into lead mode, meaning it does clean, crunchy overdrive and hefty distortion sounds. On the clean channel both volume and gain are at 0 so I can switch to the clean channel in order to kill the SS-11A output completely.
Why so intricate? The SS-11A blows away both my Darkglass overdrive pedals with its two 12AX7 tubes and sounds much more harmonically rich. I use it parallel to my clean bass signal because it has no blend function, which one really needs on an overdriven bass tone... The B3K is still on the board but will most likely be replaced with something else.
The pitchfork which is in front of the SS-11A is in "one octave up" mode and only operates while holding down the footswitch (latch mode) so I can use the SS-11A either as a bass distortion or to emulate a guitard playing along with the bass on some parts.
Of course in this configuration the tremolo does not act as a tremolo but shimmers between the B3K and SS-11A channels, which sounds nice and eerie.