Show Your Pedalboards (Evo) Then
- Thread starter James Hoy
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DiMarco
nutcase
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Okay I ordered me some patch cables, another tuner and a psu, but this is the layout per board I went for.
Bass board will have tuner pedal in top right. As always the cali76cb since there is no competition. DCX will be always on and at the edge of breakup. Royal Jelly does overdrive and fuzz, and anything in between while mixing in the clean signal. YYZ for Geddy tone.
Classic rock guitar tones in combination with the Vox amp. The Flux Five is my latest acquisition.
Modern slash prog board. Pitchfork is like a tiny POG. Jack White fuzz and creamy organic fuzz (Giygas), Throttle Box for that Dual Rectifier magic, Flux Drive for more oldskool boosted mids bluesrock tone.
The Atlantic is a reverb + Delay, Sea Bee a step chorus (check demos of this one it is wild). Engl Fireball pedal is my amplifier in a box,.
The Fender amp behind it is an FR-12 which was built for modellers and amp-in-a-pedal stuff like the Engl.
Monday or Tuesday the cables, psu and tuner will arrive - will hook everything up then.
Bass board will have tuner pedal in top right. As always the cali76cb since there is no competition. DCX will be always on and at the edge of breakup. Royal Jelly does overdrive and fuzz, and anything in between while mixing in the clean signal. YYZ for Geddy tone.
Classic rock guitar tones in combination with the Vox amp. The Flux Five is my latest acquisition.
Modern slash prog board. Pitchfork is like a tiny POG. Jack White fuzz and creamy organic fuzz (Giygas), Throttle Box for that Dual Rectifier magic, Flux Drive for more oldskool boosted mids bluesrock tone.
The Atlantic is a reverb + Delay, Sea Bee a step chorus (check demos of this one it is wild). Engl Fireball pedal is my amplifier in a box,.
The Fender amp behind it is an FR-12 which was built for modellers and amp-in-a-pedal stuff like the Engl.
Monday or Tuesday the cables, psu and tuner will arrive - will hook everything up then.
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It's like Legos for grownups, isn't it? Too much fun!
Nachobassman
Bass, Tapas, and Rn´R!
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Interesting...
That's exactly the opposite to what I would consider to bring to a gig, even less to a multi-instrument gig.
PS. Let me see if I could find a pic of the board I used earlier this year with the Led Zeppelin band where I played bass, keyboards, mandolin and Theremin.
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Interesting...
That's exactly the opposite to what I would consider to bring to a gig, even less to a multi-instrument gig.
PS. Let me see if I could find a pic of the board I used earlier this year with the Led Zeppelin band where I played bass, keyboards, mandolin and Theremin.
Please du, I'm genuinely curious as to what you mean - is it the use of digital tech that bothers you?
DiMarco
nutcase
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Can I respond eventho addressed at Nacho? I sold my Quad Cortex this week since I keep using oldskool pedalboards instead.
It is not a case of sounding better or worse. It is simply a case of vibes. With the QC I find myself twiddling knobs and params 24/7 instead of just dialing in a sound and playing.
I guess what I am saying is I prefer some strict limitations in order to be able to focus more on the music.
It is not a case of sounding better or worse. It is simply a case of vibes. With the QC I find myself twiddling knobs and params 24/7 instead of just dialing in a sound and playing.
I guess what I am saying is I prefer some strict limitations in order to be able to focus more on the music.
Nachobassman
Bass, Tapas, and Rn´R!
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I'm back! Haha...
Sorry for the delay in the answer, turned out I didn't have a pic, only a video, and took me a little more than expected to find it out. This is the best screenshot I could take:
As you can see it is all single pedals, I managed to package into my old and trusty pedalboard the audio paths for three of the instruments I used that night with the Led Zeppelin cover band: Bass guitar, bass keyboard and mandolin (the Theremin went through another di box outside the pedalboard)
The signal paths are:
Bass Guitar -> Line6 wireless -> BOSS LS-2 -> BOSS TU-2 -> Demeter Opto-Compulator -> BOSS OC-5 Octave -> DOD FX20-B Phaser -> SansAmp BDDI Programmable -> Amp;
Bass Keyboard -> BOSS LS-2 -> BOSS TU-2 -> Demeter Opto-Compulator -> SansAmp BDDI Programmable -> Amp
Mandolin -> TC Electronics BodyRez -> Moore Reecho -> d.i. box -> FOH desk
Basically, both bass guitar and keyboard share the same path starting at the LS-2 set at A+B Mix.
For the mandolin I borrowed my friend Dan's Bodyrez and Reecho pedals to beef up the sound.
More info to come, gotta take a shower and jump in the car, have a wedding gig this afternoon. ¡Salud!
Sorry for the delay in the answer, turned out I didn't have a pic, only a video, and took me a little more than expected to find it out. This is the best screenshot I could take:
As you can see it is all single pedals, I managed to package into my old and trusty pedalboard the audio paths for three of the instruments I used that night with the Led Zeppelin cover band: Bass guitar, bass keyboard and mandolin (the Theremin went through another di box outside the pedalboard)
The signal paths are:
Bass Guitar -> Line6 wireless -> BOSS LS-2 -> BOSS TU-2 -> Demeter Opto-Compulator -> BOSS OC-5 Octave -> DOD FX20-B Phaser -> SansAmp BDDI Programmable -> Amp;
Bass Keyboard -> BOSS LS-2 -> BOSS TU-2 -> Demeter Opto-Compulator -> SansAmp BDDI Programmable -> Amp
Mandolin -> TC Electronics BodyRez -> Moore Reecho -> d.i. box -> FOH desk
Basically, both bass guitar and keyboard share the same path starting at the LS-2 set at A+B Mix.
For the mandolin I borrowed my friend Dan's Bodyrez and Reecho pedals to beef up the sound.
More info to come, gotta take a shower and jump in the car, have a wedding gig this afternoon. ¡Salud!
