Show your setups & basses

bassplayer22 said:
I like looking at everyones toys, so I thought it would be cool to get one of these going again. Hope I'm not duplicating something from another post. If I am, my apologies.

Tim


Glad to see someone else playing a 5 pro not many of us around
 
Back, in a way, after a detour of GAS:



I had a bit of money for graduation, and I was leaning towards a Rockbass five string fretless, but I found I could justify a very different instrument a lot better. So I went for the upright, and it's a dream. :D This leaves me time to amass the funds required for a true Warwick fretless five, which would make me happier in the long run.

But yeah, on the off chance someone remembers me from here, I stopped coming to this forum for a few months in order to save up for that beast above, the GAS from being around here I was afraid would distract me.[/img]
 
ge7243 said:
Back, in a way, after a detour of GAS:



I had a bit of money for graduation, and I was leaning towards a Rockbass five string fretless, but I found I could justify a very different instrument a lot better. So I went for the upright, and it's a dream. :D This leaves me time to amass the funds required for a true Warwick fretless five, which would make me happier in the long run.

But yeah, on the off chance someone remembers me from here, I stopped coming to this forum for a few months in order to save up for that beast above, the GAS from being around here I was afraid would distract me.[/img]

Congratulations on the stand up man!
 
ge7243 said:
Back, in a way, after a detour of GAS:



I had a bit of money for graduation, and I was leaning towards a Rockbass five string fretless, but I found I could justify a very different instrument a lot better. So I went for the upright, and it's a dream. :D This leaves me time to amass the funds required for a true Warwick fretless five, which would make me happier in the long run.

But yeah, on the off chance someone remembers me from here, I stopped coming to this forum for a few months in order to save up for that beast above, the GAS from being around here I was afraid would distract me.[/img]

You're a standup guy in my book! :D Then, anybody with framed Jaco album covers on their wall is a standup person!
 
Aye, and the original self-titled release was down at the time from spinning. It looks bare to me without the third vinyl up on the wall. :D Luckily I don't have to keep my upright in such a scary area, since then I've hung my Jaco-esque bass on the hanger, and my Ampeg occupies that general vicinity. My gear hasn't changed much in the past few months, I just have that singing giant standing in the other room.
 
Lovely figuring on that Corvette anarchyok!

I will hopefully be adding another Wick to my stable quite soon...
 
Here's my PedalLID (pedalboard in the rear lid of my 6-space rack) since some more changes and incarnations:


Order of effects: Analogman Mini BiComp > ElectroniX MESSDrive (modded) > ZVEX Fuzz Factory (modded) > Zvex Seek Wah II > Dunlop 105Q Bass Wah > Electro-Harmonix Micro Q-Tron (modded) > Line 6 ToneCore Dock w/intervhangeable modules: (Echo Park and Liqua-Flange); powered by a Voodoo Lab Pedal Power 2 Plus.

As you can see, I love having envelope filter and wah effects for my funk! I use this setup with my Genz-Benz Shuttle for smaller gigs and as a backup to my Mo' Bass rig, which has it's own analog effects.
 
1/2 of my rig at Leipomo-Studios, Karkkila, where my band recorded our demo. When the stuff is ready, I'll post some links ;)

Zip
 

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Steve Becker said:
Holy sh*t Casey your bass is a SEXY monster!! Looks like you did an awesome job.

Thanks! :D

I'm slapping away on it right now, I'm still really surprised how good slapping sounds on it. I'm really starting to think I was created to play fretless :P either that or to modify stuff :P
 
you should have left the last fret or two in, the slappage would be a lot more defined, (saw it on the fretted/less bass) but great Job man!
 
Yeah, I was thinking about even making a brass "slap plate" but after I got the epoxy on there and started slapping away, I don't think I need it. I did a little sound clip of it after I finished and put it on my myspace ( www.myspace.com/caseytinsley ) I did a bit of slapping in it so you can hear a bit of what it sounds like, Threw in a little tapping here and there as well.

With my onboard eqing, I can pretty much get any sound out it now. Pretty groovy, I can't wait to get back up on stage with this monster :D
 
Just got my Peterson StroboFlip tuner and my MXR El Grande Bass Fuzz today and took a picture of my entire bass gear collection:



Basses (from left to right):
Hanging from rack in background: 2000 Warwick Thumb NT w/Hipshot X-Tender and Bartolini 3-band preamp; 1999 Warwick Streamer Stage I w/AAA Flame Maple, High Polish Finish, Hipshot X-Tender, brass Just-A-Nut I, Bartolini P and J noise-free passive pickups and passive electronics.

Forground: 2007 Warwick $$ 5-string w/Kahler "5-wide" whammy bar; 2006 Warwick Limited Edition Thumb "Dirty Blonde", de-fretted by Richard Beck; 2000 Warwick "Millennium Project" Streamer Standard 5-string w/Swirly Bubinga top and Bartolini 2-band preamp; 2006 Warwick Corvette Standard fretless w/Tigerstripe Ebony fingerboard and Bartolini noise-free passive J pickups.

The Micro Rig: 2008 Genz-Benz 3.0-10T 1x10 combo; "MicroBoard": Music ElectroniX MESSDrive (w/modded Blend control) > EHX Q-Tron (w/modded true-bypass LED circuit, Volume control, and "Insta-Switch" stutter switch).


The Mega Rig: Peterson VS-F StroboFlip Tuner (on top of rack); Samson PS9 Power Strip; Raxxess EVP-1 Vent Panel; Cosmic Stone PhaseDelay (EHX nano Small Stone Phase Shifter and Maxon AD-999 900ms Analog Delay mounted in a single-space enclosure); 2001 SWR Mo' Bass Soundstation; Axess Electronics CFX-4 MIDI Function Switcher (in rear of rack). 1997 SWR Goliath Jr. III 2x10 cabinet; 1997 SWR Goliath III 4x10 cabinet. 2001 SWR Mo' Control Footswitch Controller for the Mo' Bass.



The PedalLID: Analog Man Mini BiComp Compressor > MXR M-182 El Grande Bass Fuzz > ZVEX Vexter Series Fuzz Factory (w/modded caps and internal blend for more "wooliness") > ZVEX Seek Wah II > Dunlop 105Q Bass Wah > EHX Micro Q-Tron (w/ modded internal Blend and "Insta-Switch" stutter switch) > Line 6 ToneCore Stereo Dock w/Echo Park and Liqua-Flange interchangeable modules.
 
maddrakkett, what is your opinion on Zvex pedals? I'd really like to put my hands on a johnny octave but i am a little scary to throw that amount of money into one pedal.
>
 
farfadet said:
maddrakkett, what is your opinion on Zvex pedals? I'd really like to put my hands on a johnny octave but i am a little scary to throw that amount of money into one pedal.
>

ZVEX pedals are very cool tone machines that sound like no others and well worth the money, but they are made for guitar (Zachary Vexter warns that his pedals are for guitar, not bass), so yo do lose some bottom end.

With my Fuzz Factory, I had to change the input and output caps to much higher values and then add an internal passive blend control to blend some clean bass into the signal, but even then, it still sounds quite raspy and buzzy rather than thick and fat. But that's the nature of a good fuzz and it has enough quirkiness to become a unique effect all its own for my bass. The Seek Wah also narrows the frequency range, cutting both the highs and lows and doing its magic on the mids. But there's still enough bottom (though I might add an internal blend to this as well) to make it work and it is dang funky when playing staccato and totally spacey when used as a sample-and-hold sequence effect through a long and hollow repeating delay!

I have never tried a Johnny Octave, but since it is an octave up, instead of down, I imagine it will really emphasize the highs and de-emphasize the lows in your bass tone, possibly making it sound thin. This would be one of those definite "try-before-you-buy" pedals!
 
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