- Joined
- Oct 8, 2006
- Messages
- 1,885
- Reaction score
- 50
Just thought I'd share my first experience in a studio because a lot of the posts have something to do with Warwick sound. For the past few months I have been recording with a socca/carribean gospel group on thier soon to be released project. Being from Barbados myself, I am familiar with the style and adapted quickly even though it's not my favorite flavor of music. It's bottom heavy but repititious. Anyway, I did 3 tracks with a Corvette 5 active and 3 tracks with my Corvette Jazzman 5 through my Ampeg svt 3. I have to say, that bubinga corvette is a monster! Thick and bottom heavy yet crystal clear. I see why many players keep one in the arsenal. It's a no nonsense straight up great bass and is by no means on the lower end of the Warwick spectrum just because it's affordable. 30 seconds into my first Jazzman track, the producer asked me where I got the fender jazz bass and when I told him it was a Warwick he said "no wonder it sounds like that, it's better than a fender." And this is a guy that produced for SWV, Jody Watley and Mary J Blidge. Anyway, I did most of my recording at home off of the drum and vocal tracks onto a 16 track digital recorder from Zoom. Yeah I know it's not the best recorder but it got the job done. I wouldn't buy another one because the digital out sucks and we had to go rca out to the board. Anyway, the Warwicks were great and after all of my exotic bass lusting it turns out I had what I needed all along. No matter what you play you still got to play it. Good luck with all of your projects. Gerry.

