Ok, so here goes.
I've had the Hellborg now for 2 weeks. 2 glorious weeks

and was certain to get pics and videos and tunes and.... well life gets busy, and quite frankly, the Hellborg takes control
In the course of the past 2 weeks I've had the chance to show some of my co-workers who were totally won over once they had a go at playing through it. A few customers as well had the chance to check it out.Pics? nope... Clips?? nope....

too busy talking about the pre while we were playing it!
Then I had the chance to do a couple of tracks here at home with it for a client. Used my MTD Kingston KZX 5, my fretless '80 Vantage 4 and my NS upright through it. All sounded better than they ever have. EVER.
Then on to a shoot-out that I was really happy could happen. A friend of mine is a great bassist/engineer/editor. He works with producer Joey Moi and has had a hand in recording many CDs in the past decade that have sold MILLIONS.... upon millions of copies.
So I went out to the studio he takes care of and works out of one morning to get his take on the Hellborg. We plugged in a '76 P Bass and A/B'd the Hellborg with the 'house' clean signal path. (this is where the Hellborg gets to be a bargain). My buddy was amazed that this little box sounded so close and behaved so close to the house path. The house path was the bass>custom John Vrtacic DI (https://www.vrtacicdesign.com/index.html)>Neve strip [ballpark $$ of that is around $5500-$6000]. Yes, the Hellborg totally stood its ground and delivered. The holy grail of studio gear, the Neve strip was given a massive run for its' money by the Hellborg!! This was quite fun.
So.... I finally sat down this evening to put together a bit of a clip to showcase some of what I think it does. Right.
I do have an mp3 running through a few eq boosts @ the various preset freq.s to give an idea but guys, really. A preamp like this is something you have to hear and use in person to truly appreciate it. I'd only monkey it up
It DEFINITELY is not the be all and end all preamp for the bass community. It's definitely the be all and end all for quite a few of us though. It gives clean and articulate with warmth and life like no other bass specific preamps out there. Such a musical eq that even finger noise and "gank" in a track sounds really good. The top end gives pick work great cut and presence that might even ween some "Rock" guys off of their overdrive, it's a clean grind that's soooo nice.
Sorry to be a tease and just wax poetic about it but it really is an amazing piece of gear.
Jonas, Hans Peter, kudos to you guys!! You really have made a lasting piece of gear that sets a standard and sets Warwick apart, yet again, from the pack!
cheers,
pd