I've posted this before, but here's my effects pedals:
I also have a Lexicon MX200 in the rack for delays, verb, and chorus. The pedalboard is very portable since it's built into the rear rack lid - just slap it on the rack and I'm ready to roll; pop it off at the gig, connect the snake, and I'm ready to play!
But like most here, I do not use the effects for any main tone, only for certain moments where some funk or grind is needed, or a nice liquid texture... The only effect that gets the most use is the Mini Bi-Comp Orange channel compression, and maybe the chorus in the Lexi gets more use than the others...
BTW, I swapped the input and output capacitors in the Fuzz Factory to 100uF, like a Wooly Mammoth has, and I get a little more bass response, but not as much as I would like, so I use the Red Onion Loop with Blend control to try and get more of the dry bass sound in the mix, but it's very hard to dial since it is passive and the Fuzz Factory is a very interactive and quirky pedal that likes to mess up audio signals rather than let them play nice together. I've finally got it dialed in pretty good and the Comp helps balance the levels out when needed.
PS: I'm still searching for the right fuzz, or more ways to mod my FF for more dry bass response to leak through. I love the kind of fuzz the FF makes, and it has a noise gate as well. If it had the same kind of bass response as the Wooly Mammoth while keeping the insane, interactive fuzz it now has, it would be perfect!