Sweeeeet!!!

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For those fine folk that don't know, I've been writing articles for Bass Musician Magazine for over a year now, and aside from getting some great comments and feedback, I've been having a lot of fun with it.

A week ago, I got an email from the guys at Seymour Duncan, asking if I'd consider writing some articles for them. Being a user of SD for many, many years (and an endorser since last year) this is a pretty big opportunity and something I'm looking forward to. I have a four-part series pending right now that goes over the onboard electronics you have on your bass, and how to use them over just diming the volume knobs and thinking that's "the sound."

Will post links once they're up.
 
Congratulations :)
Please post them here too, we need all the good advices :)
 
If SD ask you to write about them, isn't that simply them asking you to write an ad in disguise? No doubt your review will be raving about the product.

I do not trust any reviews on the internet and think nobody should. Lots of them are written by the actual companies selling the product or they persuaded someone who is a fan of their product to write this "review" for them.

No offence dude but quite frankly you writing a review as a long time fan and endorser makes no sense.
 
Marco, I understand your point, but I´m sure it does makes sense, from a business point of view, of course.

Congrats, Jon.
 
If SD ask you to write about them, isn't that simply them asking you to write an ad in disguise? No doubt your review will be raving about the product.

I never said anything about writing a review; at some point I may have to, sure. But that was not the initial reasoning behind contacting me.

When I was approached, the guys at SD stated they want me to write articles focused on how-tos, technique, etc.. all things that really have nothing to do with SD in terms of product, but things that I've already been writing about in Bass Musician Magazine. If we're talking about using your onboard controls (which parts 3 and 4 of my series I wrote do talk about), they'd obviously prefer it that I either use SD gear in the example over a competitor, or not mention any specific brands at all. But it was mentioned that there is not a lot of bass-related content on the site, and they wanted someone that would be able to bring that to SD.


I do not trust any reviews on the internet and think nobody should. Lots of them are written by the actual companies selling the product or they persuaded someone who is a fan of their product to write this "review" for them.

Then frankly, what reviews do you trust? I don't see how the situation that you just outlined is any different in the print media with many of the instrument magazines. I specifically remember a lot of Bass Player mags from the past that this focused on; lots of ads for "Product A" and then, hey look, there's a stellar review for "Product A" in the same mag. Coincidence?

Is it easier to find a lot more of this stuff on the internet? Sure. But let's not just point one finger and say that's where it all started; it's just easier to find nowadays. To be clear, ANY review needs to be taken with a grain of salt.

And like Ed Friedland mentioned on a TB thread (that talked about this), he only reviews gear that he likes and/or might use. It makes no sense for a jazz guy to review the latest fuzz pedal, as much as a death metal player would review a small practice amp. You have to have people that are familiar with the specific item and in the target demographic review the gear in order to get something of an in depth and worthwhile review, and that selection process is already going to skew the article to a point.


No offence dude but quite frankly you writing a review as a long time fan and endorser makes no sense.

Having an endorser in their stable that already writes these types of articles for another online magazine was, like Nacho mentioned, a very good business decision and a logical move forward. And since I'm getting paid for these articles, it makes sense for me to give it a shot and see what happens.

If Warwick had asked me to write some articles for their monthly newsletter, would you have the same response?
 
Congrats.
It seems SD have a management good enough to appreciate the value of providing good, useful, and relevant content to their customers.
Their website is the most informative and comprehensive, even though this is mostly for guitar pups.
I'm glad they have decided to improve their bass content.
 
If SD ask you to write about them, isn't that simply them asking you to write an ad in disguise? No doubt your review will be raving about the product.

I do not trust any reviews on the internet and think nobody should. Lots of them are written by the actual companies selling the product or they persuaded someone who is a fan of their product to write this "review" for them.

No offence dude but quite frankly you writing a review as a long time fan and endorser makes no sense.

Turn up your reading comprehension and turn down your paranoia/distrust lol!!
 
It seems both of you have good points, but Jon's right. Ed was like a savior to us bass folk, but he is as mortal as all of us. We all want to try out gear, but being unbiased is hard to do when you like the product.

So, it's a good idea to just not compare or put one product over the other. I could rave about how amazing Darkglass' B7K is, but I wouldn't say its better than Tech 21's SABDDI. Apples and Oranges.

Same goes with SDs and EMGs and MECs and Ect.

As long as Jon's not trying to make SD look like the greatest thing sice sliced bread, then it will be very unbiased. From his reply, I think it will. I enjoyed his demo of the JB bass. Don't you agree that his demo was very unbiased and very professional?
 
So, it's a good idea to just not compare or put one product over the other. I could rave about how amazing Darkglass' B7K is, but I wouldn't say its better than Tech 21's SABDDI. Apples and Oranges.

Exactly. Take Ampeg for example. Is it a bad amp? Absolutely not, but unless you want THAT sound, it's not going to be the amp for you. And a lot of negative reviews I read about Ampeg come down to someone's tonal goals not being in line with what Ampeg offers.


As long as Jon's not trying to make SD look like the greatest thing sice sliced bread, then it will be very unbiased. From his reply, I think it will. I enjoyed his demo of the JB bass. Don't you agree that his demo was very unbiased and very professional?

Thank you, although I should mention that I found it funny that, while I said it's a great bass for rock and holding down the low end, I'm playing a funk line throughout most of the demo. Oh, irony.

It should be mentioned that in the guidelines that SD sent me, when it talks about reviews, they want a basic technical overview, as in "This is ________, here are the controls and this is how it works." I'm sure that they are keenly aware that writing a gushing review of an SD product on the SD site will immediately be written off as, like DiMarco said, an ad.
 
I love the first one. Very well written, and also an excellent job to put the concept in context and make it relevant.

I thought that the 2nd, the pre review, reads more like a product brochure. I would have preferred a discussion in the spirit of the first one.
Regardless of my opinion, I'm sure both are equally fit for purpose.
Congrats and keep it up (and us posted)
 
I love the first one. Very well written, and also an excellent job to put the concept in context and make it relevant.

Thanks. This was a series I've wanted to write for a while, because it seems that many musicians don't take the time to really figure out what's onboard their bass, or how to use it. I was in that camp too, until I read an article with Lee Sklar where he mentioned that his tonal needs on his bass were served by the blend knob. It was one of those "aha!" moments.


I thought that the 2nd, the pre review, reads more like a product brochure. I would have preferred a discussion in the spirit of the first one.

Yeah, it was a quick one that falls along their criteria for writing reviews. It was mentioned early on in this thread, but I'm sure that Seymour Duncan is acutely aware that any product review that is glowing or raving is going to be seen as a paid ad over an actual review. So, we have to keep it as objective as possible, which can come across as a press release, or just something out of a brochure. I'm also sure that since this was the first review of mine for SD, I played it really safe as well.

I'll see what I can get away with for the review I'm writing now (The Steve Bailey fretless pre). I included some soundcloud audio for those, and explained how the new pre affected the bass I was playing, so hopefully that will put it in a more personal context, without sounding like "I got this pre for free, so of course I love it! You should too!!!"
 
I don't agree with all of the flak you received earlier in the thread. You obviously endorse SD because you like their products. If you try something of theirs and you are a good person (which you seem to be) and you don't really like it then you'll tell them how you feel as well. What's the difference between loving a product and writing reviews and officially endorsing a product you love and writing reviews? Anyway, I'm looking forward to the rest.
 
I don't agree with all of the flak you received earlier in the thread. You obviously endorse SD because you like their products. If you try something of theirs and you are a good person (which you seem to be) and you don't really like it then you'll tell them how you feel as well. What's the difference between loving a product and writing reviews and officially endorsing a product you love and writing reviews? Anyway, I'm looking forward to the rest.

True story. I've been using SD in damn near all of my basses since 1994, when my first bass got a Quarter Pound P pickup and Hot Jazz bridge pickup for Christmas from my folks. That combination kills; I'd love to grab a Streamer LX and put that setup in it. I contacted them THREE times about becoming an endorsing artist and the times I was turned down, they were more than awesome to deal with, and very helpful in telling me what they were looking for, and why I didn't fit. The third time was just divine luck, and everything else has just been icing on the SD cake for me.

I appreciate your comments, but I do agree that there is a line as a reviewer where it stops being objective and turns into gushing nonsense and blind fandom. Any time I look at reviews for any product, I immediately throw out the top and bottom reviews, because those usually aren't the objective ones (they CAN be, but usually it's not so). I look for the ones that give 4 out of 5 stars, or 2 out of 5 because those are the more honest, emotions are not fueling this review.

So I can understand the initial reaction of "Oh, an endorsing artist is writing reviews for SD? I wonder how THOSE will turn out...!?!?!?" but if you've read any of my other articles from Bass Musician Magazine, I like to think that I've moved past the whole fanboy type of review into something that is a little more "This is a great piece of gear because of _______ and ________. This would work well in this situation," which I'm thinking was part of the reason that the SD guys contacted me in the first place. The fact that I'm an endorsing artist meant that I was easy to contact and probably would have no problem writing articles for SD.
 
Yeah, I see where they are coming from too. I just found it odd that they jumped to those conclusions right away. I like the way you explained the passive controls. I was trying to explain how they actually worked to someone just the other day and I somehow didn't think of using lighter/darker instead of going from bright to bad lol.
 
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