thumbin said:H8ER 321 said:Dont mean to brag.... but, I am pretty good at slap (won 5 competitions here in FL and CA.) and I only use my index. Never really saw a need to use both I can get fast enough using one. The only time I use more than one on a pull is for Chords.
See its more about clearance for me. The space between the strings and the body right after the fretboard heel has to be as low as possible in order to be fast, that way you dont get "lost" in there. The basses that are the worst for this are spectors they are like an inch high.
Warwick NT's (Not BO's), Fenders, laklands, MTD's and most Zons are just right for me. Of course Foderas can be good as well depending on wether you order it like that.
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You must teach me your skill! I'm somewhat good at slapping... Although I tend to play the same line over and over and over again and it gets to the point where my wife is about to take some scissors to my patch cord![]()
It's weird. Slapping is like learning to read, it takes time to really get comfortable with it. I have been playing for 12 years and I still from time to time feel a little stuck. My main thing that I tell people is start slow! Speed is not everything, when you master the basics and correct timing of the slower tempo the faster stuff just falls into place and fits like a glove.
Its weird, when you play slower and really really learn to add suspense to the notes you add so much demension to your style, the funny thing is it carries right over the faster stuff and makes the fast stuff still sound and feel musical (like Victor, although some may disagree). Correct "posture" is a big one, the music teachers dont harp on that stuff for no reason, slapping with your thumb pointed at the ground hinders your ability to use economy of motion, and economy of motion is how your style becomes more consistant and defined (not only that but it makes playing fast so much easier).
I could go on forever..
/Also Theodore Presser's "Slap-it" is a great book to learn fresh new stuff. You should give it a try.

