First Stryker pics.
- Thread starter Curtis
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Nachobassman
Bass, Tapas, and Rn´R!
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Nice bass!!
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I've always wanted to get hold of one of those strykers. You should consider yourself lucky to have one of those lovely looking basses.
Curtis
Editor De Bassist magazine (NL)
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I hate you too, Chris
Yeah, these pics reminded me of the fact i have to look a bit more cheerfull on stage
Well, normally I do, but I guess the photographer waited until I looked angry, before she shot
Yeah, these pics reminded me of the fact i have to look a bit more cheerfull on stage Well, normally I do, but I guess the photographer waited until I looked angry, before she shot
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that's one wickedly sexy bass man!! how does it feel, and how is the tone?
Curtis
Editor De Bassist magazine (NL)
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Yeah, let's do a small review.
Well, first I have to say it feels and plays wonderfull. It's just very well build, such a nice bass.. All the used woods. Almost a piece of art and I keep looking at the striped back of the neck, the nice mahogany, the 3D quilted maple, the very black ebony of the fretboard. Even the inlays, laminate-stripes, ... And I love the fact I ordered an 38mm neck. I don't mind the 44mm Buzzard neck, but sometimes it's hard work... I also asked for th satin finish. High polish can feel a bit sticky at the neck, but this is more like an oiled bass. Going up and down the neck, feels like going up and down a girl's stockinged leg. One of Entwistles other hobbies.
I think the Stryker is, like the Buzzard, not everyone's bass, I guess. There are two ways to play it: Or in the Entwistle style: Quite high on the body, so you can use the big wing as arm rest. That's to high for me, but if I play it sitting down, it's quite nice to have your arm on the wing. Very comfortable Like hanging at the bar, again one of Entwistle's other hobbies
The other way is to have it low, more JLO, and a bit besides your body. I call that the BB King style. The neck of the Stryker and Buzzard are so long, you can't reach the tuners if you have the bass right in fromt of you
I am used to play my other basses, like the Thunderbird, in this way, so both the Stryker as the Buzzard felt quite naturally for me immediately.
It's a tiny little bit neck heavy, but I'm used to that (Gibson player...) so no problem.
Sounds: It's nice the bass sound exactly the same with EQ-bypassed and EQ all in the middle. The Sound Of Wood. With everything flat it's a middy (and moody) monster: glassy treble, lots of growling Warwick-mids, not that much bass, but the active pick ups give some sort of sub low, which makes the sound very rich. Hard to explain. The hollow body gives it a bit more of a vintage vibe. Compared to the Buzzard (Mine's also mahogany, maple necked, but passive pick ups) it's a bit warmer, a bit more versatile. I can use my Buzzard in my rockband only in a great way, but it doesn't suit my melodic pop band (I tried a Star Bass: That's the perfect bass for my melodic popband, but less perfect (still very good) for the rock band).
This is my first active bass, I did three rehearsals and two gigs with it, so I'm still puzzling around a bit. I took the bass to my melodic band and with treble a bit rolled of, a bit more mid and bass open gave a great vintage bass sound. Yesterday I used it for the rock band. Also treble a bit rolled of, a bit mid, a bit bass and I had a very nice growling bass. Have to fool around with that a bit more.
I have to end with a bad note. I'm very disappointed in Warwick. The bass has its certificate, it has a flightcase, it has the black manual with strap locks... But I didn't get two cannisters with straws, one filled with red wine and the other with cognac...
Next weekend I play a litte festival with two other Dutch bands and two British bands. One of them, The Brew, is a very nice band. I don't know the other. Of course I'll take the Stryker
Well, first I have to say it feels and plays wonderfull. It's just very well build, such a nice bass.. All the used woods. Almost a piece of art and I keep looking at the striped back of the neck, the nice mahogany, the 3D quilted maple, the very black ebony of the fretboard. Even the inlays, laminate-stripes, ... And I love the fact I ordered an 38mm neck. I don't mind the 44mm Buzzard neck, but sometimes it's hard work... I also asked for th satin finish. High polish can feel a bit sticky at the neck, but this is more like an oiled bass. Going up and down the neck, feels like going up and down a girl's stockinged leg. One of Entwistles other hobbies.
I think the Stryker is, like the Buzzard, not everyone's bass, I guess. There are two ways to play it: Or in the Entwistle style: Quite high on the body, so you can use the big wing as arm rest. That's to high for me, but if I play it sitting down, it's quite nice to have your arm on the wing. Very comfortable
Like hanging at the bar, again one of Entwistle's other hobbiesThe other way is to have it low, more JLO, and a bit besides your body. I call that the BB King style. The neck of the Stryker and Buzzard are so long, you can't reach the tuners if you have the bass right in fromt of you
I am used to play my other basses, like the Thunderbird, in this way, so both the Stryker as the Buzzard felt quite naturally for me immediately.It's a tiny little bit neck heavy, but I'm used to that (Gibson player...) so no problem.
Sounds: It's nice the bass sound exactly the same with EQ-bypassed and EQ all in the middle. The Sound Of Wood. With everything flat it's a middy (and moody) monster: glassy treble, lots of growling Warwick-mids, not that much bass, but the active pick ups give some sort of sub low, which makes the sound very rich. Hard to explain. The hollow body gives it a bit more of a vintage vibe. Compared to the Buzzard (Mine's also mahogany, maple necked, but passive pick ups) it's a bit warmer, a bit more versatile. I can use my Buzzard in my rockband only in a great way, but it doesn't suit my melodic pop band (I tried a Star Bass: That's the perfect bass for my melodic popband, but less perfect (still very good) for the rock band).
This is my first active bass, I did three rehearsals and two gigs with it, so I'm still puzzling around a bit. I took the bass to my melodic band and with treble a bit rolled of, a bit more mid and bass open gave a great vintage bass sound. Yesterday I used it for the rock band. Also treble a bit rolled of, a bit mid, a bit bass and I had a very nice growling bass. Have to fool around with that a bit more.
I have to end with a bad note. I'm very disappointed in Warwick. The bass has its certificate, it has a flightcase, it has the black manual with strap locks... But I didn't get two cannisters with straws, one filled with red wine and the other with cognac...
Next weekend I play a litte festival with two other Dutch bands and two British bands. One of them, The Brew, is a very nice band. I don't know the other. Of course I'll take the Stryker
Curtis
Editor De Bassist magazine (NL)
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Thanks Alexandre, you have spotted things well! I'm a huge Ben Sherman (shirts) and Fred Perry (polos) fan and I have a lot of items of those brands. Even a ltd. ed. Paul Weller Fred Perry polo. Nr. 414 of 500. The black polo is a penguin, BTW.
Good: Have you also spotted the bright lights of the Hellborg amp on the seventh pic?
Bad: And the Fender strap with \m/ on it? Bad, I know
Good: Have you also spotted the bright lights of the Hellborg amp on the seventh pic?
Bad: And the Fender strap with \m/ on it? Bad, I know
